What goes into writing a great movie script?

Write in reverse time. Major characters need to change polarity; minor characters may remain the same at the end.

A scene should change valence from beginning to end. Up to down, down to up.

Audiences are smarter than you think. Something about turning down the house lights makes their IQs go up.

Who was most disrespectful today, Zelensky, Trump, or Vance? Give examples.

Only God gets it right the first time. Rewrite everything.

Cut everything that is not a payoff, or a setup for a specific payoff. “Omit needless words.” Think about the sparseness of joke telling, or Grimm Brothers.

People choose what to see based on the high concept. Make sure to deliver an ending consistent with the high concept -- it is what the audience paid for.

Why can’t Trump campaign on the real issues facing America rather than insulting the character of VP Harris? Does MAGA actually believe this tactic will work?

The DSM 5 is a wonderful character compendium.

Learn to tell a story orally and not through writing. Try telling your story to a friend.

Use status to help drive conflict. King Lear/fool. Upstairs/downstairs.

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Actors give better feedback than writers do.

Outline everything. Use story beats. Keep character’s mouths taped up, until they absolutely MUST speak. Write the script and the dialogue at the last minute, after you’ve revised the hell out of the outline.

What you leave unwritten is as important as what you write. SUBTEXT.

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Primary characters must change polarities. Secondary characters can change less.

Research the facts and then throw away the research.

Maintain a slush pile/idea file. When you are ready to write, choose the best seeds to plant.

How can MeTV Toons compete with other national broadcast TV networks?

Get up there yourself. Be in a movie. Take some acting (not writing) classes. Learn how a trained actor approaches a text. Learn why actors take roles. They do as much if not more than the writer does.

Make sure to pack enough explosives into the rocket.

To develop a unique voice for each character, try interviewing your characters.

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Don’t direct from the page. Everyone, from the director on down, wants to be part of the process of making movies. Let them do their work.

Leave holes. Write and unwrite. Put it in, take it out.

All rules are made to be broken, but you damn well better know WHY you’re breaking them.

You hold the door open for a lady and she stops in her tracks and screams at you, ‘Don’t hold the door for me! I’ll get it myself!’ What are your feelings or immediate reaction?

Your primary job is to create situations. Modern actors will fuck up your dialogue, despite whatever your contract says.

Conflict is your power source; without it you have no drama and hence no script.

A critical function of storytelling is wish fulfillment. This is why video games are so popular. “That protagonist is JUST LIKE ME.”

Is the global economy heading for another major recession in 2025? 📉💸?